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Bose L1 - Bose introduces L1 Compact System... 03-04-2009




Bose just introduced the new L1 Compact portable line array system at Frankfurter Messe.

Introducing the L1 Compact portable line array system. Carry it in one trip. Set it up in one minute. Fill the room with Bose sound.

The new L1 Compact system combines conventional PA and monitors into one sleek unit. Positioned behind or to the side of a performer, DJ or presenter, it delivers wide, even sound coverage throughout the stage area and audience—even off to the extreme sides. It's our smallest, lightest, easiest-to-set-up L1 system, weighing just 29 pounds.

Big sound. Small package.

Now you can have quality Bose sound for almost any gig, event or occasion. The L1 Compact system is small enough to fit in your trunk or back seat, and its innovative modular design makes setup easy and fast. You can arrange it in either a collapsed configuration for smaller spaces or a taller, extended configuration for larger ones. No extra gear to haul. No heavy speakers to hoist onto stands. No speaker cables.

A different loudspeaker

The L1 Compact system's slim loudspeaker distributes sound clearly and evenly throughout the room, thanks to Bose Spatial Dispersion technology. The speaker's unusual vertical shape makes it distinctly different from conventional PA speakers―and has a very positive effect on sound coverage. Even audience and band members off to the extreme sides hear the same clear, tonally balanced sound as those in front.

The L1 Compact loudspeaker array is smaller than those in L1 Model I and II systems, but it produces comparable horizontal sound coverage. L1 Model I and Model II loudspeakers project sound further with less dropoff of volume than the L1 Compact array.

Integrated system

With the L1 Compact system, you don't have to carry a separate amplifier, mixer or bass cabinet: They're already built in. The system's power stand includes an integrated bass speaker and amplifier, plus a built-in mixer providing a total of four inputs and two outputs.

Channel 1 is a microphone input with a customized ToneMatch preset for a handheld dynamic microphone. The preset automatically optimizes a handheld microphone's tone when used with the L1 Compact system. Channel 2 accepts up to three inputs at once, including a guitar, keyboard or other instrument, DJ mixer, MP3 player, laptop or projector. It features a customized ToneMatch preset to optimize the sound of an acoustic guitar.

The new L1 Compact system: audio performance, simplified setup and one-trip portability. Only from Bose. More info here


Source: Bose / vettaville.nl

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Bose L1 - Bose present at Messe... 24-03-2009



Bose will be present and presenting at Frankfurter Messe next week. You can find out what Bose is presenting at Hall 5.0 C 18 .

Source: Bose / vettaville.nl

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Bose L1 - Bose 5.1 L1ve show in Holland 11 Nov. 2008... 10-11-2008

Bose L1

The Bose L1 offers a total solution to live sound incorporating personal amplification, monitoring and PA all in one package. Stand by to be very impressed on the new 5.1 L!ve show that's being held at:

De IJsbreker te Leusden



Bezoekadres Bavoortseweg 25
3833 BM, Leusden
Telefoon 033-494 56 91

 

More info here

Source: Bose / vettaville.nl

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Bose L1 - Bose 5.1 L1ve show in Holland... 19-09-2008

Bose L1

The Bose L1 offers a total solution to live sound incorporating personal amplification, monitoring and PA all in one package. Stand by to be very impressed on the new 5.1 L!ve show that's being held in Almere, Nederland Muziek; Radioweg 5 on september 23.

Doors open 20.00 uur.  Show start 20.30 uur.

Source: Bose / vettaville.nl

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Bose L1 - Michael Schenker on Stage... 25-06-2008 Comments (0)



'Empowering musicians' was Bose's core message at this year's Musikmesse in Frankfurt.   The special events room was packed throughout the four days with musicians and industry figures. Enjoying a feast of live performances, L1® demos, workshops, competitions, a great virtual band, and VIP shows presented in collaboration with MUZU.

100% Michael Schenker with 180° coverage
For many musicians, the L1® system has become a key part of performing live. With the L1®, they know they don't have to play loud to be heard. OK, you say, that's fine for easy listening genres, but what if you want something wilder? Can the L1® really rock? Well, if you were lucky enough to catch one of Michael Schenker's stunning live sessions at Musikmesse, you'd know. Using a single L1® unit, the legendary guitarist demolished the doubters, his unique sound blazing through to every part of an enthralled audience.

Wanna see him on the Bose stage, Just click here

Source: Bose / vettaville.nl

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Bose - Bose L1 Demo... 12-12-2007

Bose L1

The Bose L1 offers a total solution to live sound incorporating personal amplification, monitoring and PA all in one package. Stand by to be very impressed. Here's an explanation by Guitar TV Online and the New Bose L1 and T1 soundsystem.

Source: Guitar Online / vettaville.nl

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Straight UP Video Snippets III... 19-10-2006

Bose and Line 6 logo

Straight Up is the Bose demo band for Europe. They've been doing some free demos and are touring various places thoughout Europe. Just to get you some idea of what they did on some demos you'll find some clips of songs at the links beneath. Enjoy!

Please note the demo was taken live and sound was not taken from a board but just recorded with a small camera. It doesn't represent the actual system. The purpose of the video is just to add some info for those who weren't there.

Source: vettaville.nl

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Packlite A1 Power Amp... 14-08-2006

Bose and Line 6 logo

PRESS RELEASE
August, 2006
Bose introduces PackLite™ power amplifier
EDAM – The new PackLite™ A1 power amplifier from Bose is a combination of power, weight and size. It is designed for bass players, drummers, high output playback of dance music, and anyone who needs more low-end output. The PackLite amplifier can be connected with the PERSONALIZED AMPLIFICATION SYSTEM™ family of products from Bose, but can also be used with any passive loudspeaker (cabinet) that can handle 250W into 4 Ohms.


The PackLite power amplifier provides a simple, powerful, scalable solution for adding bass level to the setup. Each PackLite amplifier powers up to two additional B1 bass modules. Adding one PackLite amplifier to the PS1 power stand will allow the musician to run a total of four B1 bass modules from a single system – two from the power stand, and two from the PackLite amplifier. To add more B1s, simply connect additional PackLite power amplifiers.


When the PackLite amplifier is connected to the PERSONALIZED AMPLIFICATION SYSTEM™ family of products, it delivers increased low-frequency headroom and output, without coloring bass tone. The PS1 power stand automatically senses how many B1s are connected, and adjusts the output to maintain a natural, consistent tone. In other words, the instruments sound the same, but the musician can play much louder. “To our knowledge, no other system offers this important benefit”, said Guy Balbaert, manager Live Music Technology Group Europe at Bose.


The PackLite amplifier is housed in a rugged, die-cast metal enclosure, and includes a soft carry pouch for protection during storage and transport. At a mere 3 pounds, this rugged little power amplifier can be easily carried in one hand or slipped into a gear bag. Dimensions 14,2cm x 5,8cm x 26,2cm (w x h x l). The PackLite power amplifier has a 1-year limited warranty.

The PackLite™ A1 power amplifier will be available through all selected Bose Music Partners in Europe as of June 2006. The power amplifier will have a retail-selling price of € 399 (including V.A.T.).
For more information about the new PackLite power amplifier, other BOSE® products for musicians, the forum or an overview of Bose Music Partners, please visit: www.bose.com and select: ‘Products for musicians’. Or include your local website for musicians.


Source: Bose / vettaville.nl

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ToneMatch T1 Presets launched... 04-08-2006

Bose and Line 6 logo

Bose launced a new presets systems called ToneMatch™. First ToneMatch™ presets are for Taylor guitars with the Expression System. This is good news for all L1™ users. Bose getting together with a different company to get the best possible sound reproduction with the help of the manufacturers.

As many of you know we have Bose created presets in the L1™ system so that we can bring to musicians this idea of “completing the system”. Presets have really resonated with owners as a cool part of the system and we started working on more. We approached the good folks at Taylor with the idea of creating presets for their instruments and they jumped in with both feet.

Their engineers worked with Bose to develop presets for the different body styles of Taylor guitars and the results of that work are ready for the world. Now, some of you know that we’ve done this with other companies, but Taylor got their communications team into it and they said “Let’s tell this story. Our owners will be interested in hearing about this.” We said, “Okay!” and we went to work putting together a video that tells this story.

On the web site you can view a video (soon to be a free DVD) that talks about the work we did together. We’ll also add more info to the Bose website as we finish up the ToneMatch for Taylor story.

  • So what is a “ToneMatch preset” versus a “preset” … why the fancy name?

    Well, to me, there is a big difference between a ToneMatch preset and what I’ll call a “Bose preset”. A ToneMatch preset is one where Bose and another manufacturer, in this case Taylor, work together to optimize the sound of the instrument (or mic) when it is connected to the L1 speaker. A Bose preset is one where Bose, independent of the manufacturer’s input, creates a preset for a mic/instrument/pickup connected to the L1 speaker.

    I know that may be subtle to many of you, but to me it’s a big difference. It’s really putting the controls in the hands of the “tone creation” experts and guiding their choices (not deciding) and we play the role of the “tone distribution” experts. To me, as a musician, it’s like bringing Taylor and Bose to your gig and saying “Guys, get it sounding great and I’ll take it from there.” My totally biased opinion is that this is a great benefit to musicians.
  • How do you get the presets?
    If you’re an L1 owner and interested in getting a preset upgrade disk with ToneMatch presets for Taylor guitars, simply call (800) 905-0894 and Bose send it out to you.

    The Taylor disk adds the new preset to locations 89 to 99 so you keep all your other presets (less one) and gain the Taylor presets. Note: You must have version 2.0 presets installed before you can install the Taylor presets.

    If you’re not an L1 owner and you’re ready to buy, you can skip the upgrade process and buy an L1 system that has been preloaded with ToneMatch for Taylor presets at that same number (800) 905-0894. We have a limited supply of these systems and we hope that they will go fast … so act fast.

Source: Bose / vettaville.nl

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Straight UP Video Snippets II... 30-05-2006

Bose and Line 6 logo

Straight Up is the Bose demo band for Europe. They've been doing some free demos in Holland and are touring various places thoughout Europe. Just to get you some idea of what they did on some demos you'll find some clips of songs at the links beneath. Enjoy!

Please note the demo was taken live and sound was not taken from a board but just recorded with a small camera. It doesn't represent the actual system. The purpose of the video is just to add some info for those who weren't there.

Source: Bose / vettaville.nl

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Straight UP Demos in Holland... 19-09-2005

Bose and Line 6 logo

Strait Up is the Bose demo band for Europe. They'll be doing some free demos in Holland in the upcoming months. Info on free workshops with your owm band and the PS1 system is also possible. Just click the link for more info..


Source: Bose / vettaville.nl

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Pas the Patches Please - Part II... 07-09-2005

Underneath the new batch of patches designed by SteveG-@-Bose and CJ-@-Bose, they have been working on crafting some great sounds on the Pod XT series for use with the Bose PS1 system. They released them here at Vettaville.nl as downloads. Thanks Guys for the time and effort. Enjoy.

Here's a note from CJ-@-Bose.

--

Hello everyone, in the past 3-4 weeks I have been working with SteveG-at-Bose on getting some sounds together for fans of the PodXT to use with the Bose L1 System. Steve and I have managed to work together in creating a total of 18 patches that we were pleased with. We had a total of about 22-23 sounds originally.

However after carefully auditioning these sounds those that were not a 100% to our liking got axed. We used a Fender Stratocaster with two DiMarzio HS-3 and YJM pickups and a Suhr Standard with a Rio Grande BBQ humbucker (bridge) and two DiMarzio Virtual Vintage pickups. The sounds we wrote we only saved if they sounded good on all the pickups. The Rio Grande BBQ humbucker is a fairly strong pickup, but it’s not too “hot”. Its DC resistance reads out at about 11.25KOhms, so it’s a little hotter than a reissue P.A.F. humbucker.

The sounds are a collection of some of our favorite types of tones we’ve heard over the years. These sounds will be available as downloads from our website very soon. This should happen during the next week.

I’d like to thank Kyle and Ken for letting Steve and I make a lot of noise in the Live Music Technology sound lab. It was really fun to hear the L1 and the PodXT work so well together. It was also an “eye-opener” for me as well. Mostly because I am a huge fan of tube amps and have a serious bias against any guitar amp that is not filled with tubes! So, when I started this project I thought we could come up with some “OK” sounds that most people would like.

However, I was surprised when the sounds we were working on didn’t just sound good, they felt good. In my experience getting that tactile, responsive feel from guitar and amp working as one instrument is where the magic is. I think we’ve gotten pretty close with this batch of patches. I won’t say we’ve totally “nailed it” because tone is always an on going quest and it’s subjective. Plus, you can always tweak a tone just a little bit more. However, these tones should, if nothing else, serve as a starting point for you to create your own take on what we have started.

Please check out these patches when they become available on our website very soon. If you use the Line 6 Edit application you can see the descriptions of each tone that Steve G and I came up with. Thanks for reading!

--

Here's a note from SteveG-@-Bose

A point which I think will work out well for everybody is that all of the sounds work well for any application, on all pickup selections on the guitar(s)……This gives them somewhat more versatility for a "starting point" (Most people will probably want to tweak at least some aspect of a sound to suit their liking) For example, even a very unique and great sound needs to have some possible offshoots in terms of effects or equalization. So, in short, we tried not to "over-do" or oversaturate any part of the sound. There is much room for the player to alter settings to fit their playing style…..

--

You can find all of the pertinent info under the notes section, using the new Line 6 Edit 2.1. You can find info on what type guitar, pickup and Bose output settings. All patches are in .l6t format. As there are more to come overtime an new way of searching will be added or refered to.

Just as a suggestion, for those of you that upload tones to Line 6's custom tone let the tone name start with PS1 and a space(or not), than the name of the patch, however you want to call it. For general use of finding what tones are specially designed for use with PAS this could help...

Here's an example of the underneath Acoustic patch, it could be uploaded named as PS1 Acoustic in for Line 6's custom tone. In this way you could search custom tone and easily find the patches made for Bose® Personalized Amplification System™ family of products.

Source: vettaville.nl

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Bose L1 review by Scott Carlson... 25-08-2005

The Equipment

I've been gigging with a PS1 (w/ one bass unit), Podxt Live and Variax 700 for most of 2005 and wanted to share my experience with others and also hear what others have discovered using them together in a live environment.

In my opinion, the PS1 with one subwoofer is versatile enough to meet the needs of the average gigging guitarist weekend warrior. I've been able to use it on all kinds of small stages when my trio had to provide it's own PA and also as my complete backline and vocal monitor system when we played large venues with existing sound systems. Sound engineers with the larger systems have taken a direct feed from my guitar signal in the PS1 but have rarely turned it up in the main mix since my guitar tone from the PS1 has cut through so clearly.

Volume & (no) Feedback

The only concerns I have had with volume is that some of the younger audience clubs have wanted the band to play at volumes which tire out my ears from the stage (we are a trio using three PS1s), yet the club has always been pleased with the overall volume from the band and not many have asked for such high volumes.

Feedback has not been a problem once we used the mics suggested by Bose and only creeps up when we play too loudly on small stages where the units are 2-3 feet behind us. Although everyone has different taste, it's difficult for me to believe that a decent guitar player can't get their tone to sound excellent through this setup to at least 95% of the audience.

The remaining 5% will be fellow guitar player tone freaks, and die hard SRV fans, who appreciate slight differences in tone that an average audience doesn't care about as they enjoy drinking/dancing on a night out. I have a little experience with the former crowd as my band was an SRV tribute band for the past few years before changing focus to classic rock covers in 2005.

While doing the SRV tribute I used high quality tube amps and analog effects from all the popular people on the internet (Analogman, Keeley, Reese, Klon). Although I admit that the rig sounded great when set up properly, I don't think it sounded better enough to miss all of the pre-gig setup hassles I abandoned by switching to the PS1, Podxt live and Variax.

Up and away in 20 minutes

My setup now takes 20 minutes and all the equipment fits in the trunk of a regular car. I power the PS1 through a furman power factor pro and regardless of the quality of electrical current available at a venue, I now have a guitar rig that consistently sounds live like I intended it to sound.

The Mode Mood

After much experimentation, I've settled on using my Podxt Live in the Bose output mode instead of Studio Direct. There is no strong reason I can give for this decision but you need to choose either one or the other if you intend to use all the patches at a live gig. I had an easier time developing patches that I liked in the Bose output mode (maybe because you don't need to tweak mic type, mic placement and % of room).

The downside to exclusively using the Bose output mode is that all song patches I have carefully tweaked while listening through the PS1 don't sound as good in other applications (ie, recording direct, direct out to house PAs, rehearsing with the band through headphones) as they would with the AIR modeling.

 

The Creative Patching Proces

I start out creating a new cover song patch by researching what equipment the guitarist used on the recording, then I play a recorded version of the song in my iPOD through the Aux Input of the Podxt Live and work toward matching the guitar tone as closely as possible with the pod and variax. I usually also further tweak it live because what sounds good by yourself does not always sound good when playing with drums/bass.

I find that most of my patches through the PS1 start behaving like a real guitar amp (ie, sustain notes & feedback if I want it) when I use the Pod's main compressor (not stompbox compressors) to boost gain (from 4-14) with 0db threshold. After playing around alot with the Pod's main EQ, I've settled on using it flat on almost all electric guitar patches and using the amps tone controls and/or the stompbox "fx boost + EQ" when I need tweaking beyond the amp.

Since I've been working on guitar patches for almost all cover songs we perform, I try to match all levels before hand but always set volume pedal min on 50% so that I can adjust as necessary during songs and have plenty of room for solos. I use the Podxt live's mono output into channel 4 of the Bose system with the level set at about 2-3 and appreciate that I don't need to worry about overdriving the channel input even with the volume pedal at 100%.

 

Playing Live


Playing live the Podxt has been very reliable but early on I had difficulty activating only the buttons I wanted. In contrast to my analog pedal switches, the Pod's switches were larger, closer together and only required light foot pressure. A few times while both singing and adjusting volume with the pedal, I inadvertantly activated the adjacient tuner switch and killed all sound from my guitar.

I fixed this by purchasing the Line 6 external pedal and using that exclusively for volume control on all patches. This has also had the benefit of always leaving the other pedal available for wah use without changing the overall volume when first activated. It used to drive me nuts activating the wah and getting a simultaneous boost to 100% volume.

WahBlah

I can't say that I'm completely happy with the tone from the podxt Live wah as compared to my Reese TMC3, but I hope line6 updates the software in the future and allows for greater control over Q frequency and bass/treble. In the meantime, I find solace in the belief that 95% of the audience won't notice the difference even if I could adjust the wah in the future. I also got used to lightly touching the patch buttons with the side of my shoe to avoid hitting surrounding ones.

The only other consistent problem has been using the Podxt Live at outdoor daytime gigs. The sun reacts with the orange LED window in such a way that you can't read what it says anymore. I solved this problem with a five inch high cardboard square (from shoebox) that fits around the Podxt live display and I tape it there for live daytime gigs to shade the display.

Let it Sync

Although the Podxt Live doesn't have a metronome for rehearsal, I've set all of my cover and original song patches with delay settings set to note values and then input the song's actual tempo in bpm at the "pedal/tweak/tempo" screen. When the patch is then selected, it shows me the preferred song tempo by the rate of the blinking red LED near the Tap button even when delay is not selected as an active effect.

Setting the tempos invdividually for songs also has the side benefit of making the Stomp, Mod or Delay effects which use tempo to sound consistently great. I can always adjust tempo live with the tap switch if the band performs the song at a different tempo and then the patch tempo reverts back to the original song tempo if I don't save the new tap setting anyway.

Variaxiting possibillities


The variax has taken me the longest time to warm up to but I'm finally at the point now where it's my primary gigging guitar. My SRV strat still kicks it's *** when directly compared through the system and I think it has something to do with the Workbench's inability to model the Texas Special pickups. Maybe a future version will allow the user to adjust pickup height, inductance, etc. to exactly match Fender's Texas Special PU specs.

Also, the variax pickup selector doesn't create the same sound on the Spank model as it does when you rapidly flick it on the SRV strat during a song like Voodoo Chile. In the meantime, I bring my real strat to gigs as my backup to use on all SRV tunes and then use the variax for everything else.

I've been frustrated with string breakage on the Variax and have not been able to solve it by using graph tech saddles like my other guitars. After the years of copying SRV's style, I tend to use an agressive pick attack and this shortens the life span of most strings.

 

Elixer for the Variax

Prior to performing with the variax, I used inexpensive bulk generic strings on all my guitars and changed them after every gig, but these broke within the first hour of playing the variax. I then started using more expensive Elixir and/or Firewire guage .011-.049 guitar strings and can now get through one 3-4 hour gig without breaking a string.

Also, a few months ago a guitar tech carefully filed the saddles smoother and that has helped as well. Maybe a future variax model will feature graph tech saddles. The acoustic models sound great on the variax and I use the patch that someone from Bose posted. It's very cool to play a Queen song like "Crazy Little Thing Called Love" and switch guitars mid-song from acoustic to Tele by stepping on one switch during the lead.

Stay Tuned

I love going from an open G tuning to regular tuning just by stepping on a Podxt live pedal and never take my Gibson ES335 to a gig anymore for slide work. Also, I like to tune down a half-step for my vocals and our female bass player prefers cover songs in their original key. With the variax, I can remain in half-step down tuning throughout the entire gig and play in regular tuning for her lead vocal songs just by stepping on one button.

The foregoing versatility has saved me from hauling 3-4 guitars to each gig. I don't miss the whammy bar on my variax as the maple neck is securely attached to the body and easily takes the abuse of using your right or left hand to bend it forward to lower string frequency. I didn't like the metal volume/tone control knobs on my variax 700 because you couldn't look down and see what state they were in.

Making Changes

I recently replaced them with traditional knobs with numbers and would recommend this to anyone who likes to adjust vol/tone during songs. I haven't really experimented much with Workbench but would like to know if anyone has created a guitar patch that sounds like Brian Mays red special. I also haven't used Line 6's "Edit" program much except to save my patches in order of setlist and move them around before a gig if something changes.

Anyway, I look forward to continuing to learn how to best use the PS1, Podxt Live and Variax together and hope I'm even more satisfied by next year. I'd be interested in hearing others practical tips they have picked up through using the combination at live gigs.

The Band Gear


My trio's Setup with 3 Bose systems:
Drummer-- 1 PS1 with 2 bass units, his crown CM310 vocal mic is in channel 1, his bass drum is in channel 2 with a preset.
Bass player-- 1 PS1 with 2 bass units, her vocals are in channel 1, active bass goes direct into channel 2 with a Fender preset, her keyboards go to channel 3.
Guitar Player-- 1 PS1 with 1 bass unit, my vocal goes to channel 1, drummers pair of SM57s placed between cymbals and drums go to channel 2 through a Horizon Combiner with the preset, my vocal delay effect goes into channel 3 from the insert of channel 1 and my guitar signal goes from the mono podxt live output to channel 4.


Review by Scott Carlson; used with permission for Vettaville.nl

Source: Scott Carlson / vettaville.nl

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Pas the Patches Please... 05-06-2005

Underneath the first batch of patches designed by Chuck-at-Bose and he's using them on and for the Bose® PAS system.

You can find all of the pertinent info under the notes section, using the new Line 6 Edit 2.1. You can find info on what type guitar, pickup and Bose output settings. All patches are in .l6t format. As there are more to come overtime an new way of searching will be added or refered to.

Now with the new updates for the complete PODxt Series and the abillity to have them connected to the Bose® PAS system more people will be interested in using Bose and Line 6 gear together.

Just as a suggestion, for those of you that upload tones to Line 6's custom tone let the tone name start with PS1 and a space(or not), than the name of the patch, however you want to call it. For general use of finding what tones are specially designed for use with PAS this could help...

Here's an example of the underneath Acoustic patch, it could be uploaded named as PS1 Acoustic in for Line 6's custom tone. In this way you could search custom tone and easily find the patches made for Bose® Personalized Amplification System™ family of products.

 


Source: Bose/ vettaville.nl

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Bose & Vettaville.nl... 13-05-2005

Friday the thirtheenth 2005, a strange day to start a good relationship. Vettaville.nl and Bose will be working closer together and will be handling to combination of Line 6 related gear and the connection to Bose® Personalized Amplification System™ family of products.

As the number of PS1/Pod XT series users keeps growing, it's time to share more info on how to use the different gear systems and let them work together in the best way possible. The distinction between this and what is already offered by Line 6 and Bose® is the little Tweak Tricks, reviews, helpfull hints, special patches etc...

Two innovating soundsystems used together, Line 6 gear and Bose® Personalized Amplification System™ family of products.

Stay Tuned...

Source: vettaville.nl

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Bose & Vettaville.nl... 13-05-2005

Friday the thirtheenth 2005, a strange day to start a good relationship. Vettaville.nl and Bose will be working closer together and will be handling to combination of Line 6 related gear and the connection to Bose® Personalized Amplification System™ family of products.

As the number of PS1/Pod XT series users keeps growing, it's time to share more info on how to use the different gear systems and let them work together in the best way possible. The distinction between this and what is already offered by Line 6 and Bose® is the little Tweak Tricks, helpfull hints, special patches etc...

Two innovating soundsystems used together, Line 6 gear and Bose® Personalized Amplification System™ family of products.

Stay Tuned...

Source: vettaville.nl

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Straight UP Video Snippets... 22-03-2005

Bose and Line 6 logo

Straight Up is the Bose demo band for Europe. They'll be doing some free demos in Holland in the upcoming months. Next week they'll be demoing at the Frankfurter Messe. Just to get you some idea of what they did on some demos you'll find some clips of songs at the links beneath. Enjoy!

Please note the demo was taken live and sound was not taken from a board but just recorded with a small camera. It doesn't represent the actual system. The purpose of the video is just to add some info for those who weren't there.


Source: Bose / vettaville.nl

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*Line 6®, Line 6 Inc., AX2, AxSys, BackTrack, BackTrack+Mic, Bass Floor POD®, Bass POD®, Bass POD® xt, Bass POD® xt Pro, Bass POD® xt Live, Constrictor™, Crunchtone™, Customtone, Duoverb, Digital Wireless, DL4™, DM4™, Echo Park™, Eight Ball, Filter Pro™, Flextone™, Floorboard, Floor POD®, Floor POD® Plus, FBV Express™, GearBoxâ„¢, GearBoxâ„¢ Plug-In, Guitarport™, GuitarPort® RiffTracker™, GuitarPort® xt, FM4™, HD147®, Jamware, JM4 Looper, LowDown, Liqua Flange™, M13, MM4™, MOD Pro, POD®, Pocket POD®, Pocket POD® Express, POD® FARM, POD® Studio, POD® xt, POD®xt Pro, POD® xt Live, POD® X3, POD® X3 Pro, POD® X3 Live, Relay Digital Wireless, Rifftracker™, Roto Machine™, Space Chorus™, Spider, Spider-Jam™, Spider-Valve™, ToneCore™, TonePort™, TubeTone, Ubermetal™, GX, UX1, UX2, UX8, Verbzilla™, Vetta, Variax®, Variax® Acoustic, Variax® Workbench™ and Line 6 logos are trademarks of Line 6,

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