Vetta I Overview @ Vettaville.nl

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VETTA I OVERVIEW

Click here for additional info the Vetta II amp specifications

ATTENTIE:

This info has been double checked and all info is still accurate on Vetta I and Vetta II. The biggest difference is the renaming of of amps/cabs/effects, all the other stuff is kept the same, apart from the software version and VDI.

Vetta Combo

Vetta HD

	100 Watts Stereo (conservatief bepaald)
	2x12" Custom Celestion Speaker
	65 lbs. (30kg)
	29"W x 20"H x 10.1"D (74cm x 51cm x 26cm)
	Wet/Dry Cabinet Support
	Direct XLR outputs
	Programmable stereo effects loop
	Flash upgradable software

	200 Watts Stereo (condervatief bepaald)
	Full power into 4, 8, or 16 ohms
	40 lbs. (18kg)
	29"W x 10"H x 9"D (74cm x 25cm x 23cm)
	Wet/Dry Cabinet Support
	Direct XLR outputs
	Programmable stereo effects loop
	Flash upgradable software

Line 6 Vetta features Two Amps At Once and the Double Tracker. Each channel is a complete rig, with your choice of amp models–any 2 at once, stompboxes–any 3 at once, and studio quality post-amp processing like reverb, compression, pitch shift, and EQ—all at once. Both amps are totally independent, with different stompboxes, tone controls, cabinets, and FX sends. You even have full panning control so you can stick one on the left and one on the right, or any point in between.

VETTA AMP MODELS	VETTA EFFECT MODELS	VETTA CABINET MODELS
Line 6 Clean	STOMPBOXES - DISTORTION	based on...
Line 6 Sparkle	Arbiter Fuzz Face	1x6x9	1960's Supro S6616
Line 6 Twang	Chandler Tube Driver	1x8	1961 Fender Tweed Champ
Line 6 Bayou	Electro-Harmonix Big Muff Pi	1x10	1959 Gibson GA-18
Line 6 JTS-45	Ibanez TS-808 Tube Screamer	1x10	1960 Gretsch 6156
Line 6 Class A	Tycobrahe Octavia	1x12	1953 Fender Tweed Deluxe
Line 6 Mood	ProCo Rat	1x12	1964 Fender Deluxe Reverb
Line 6 Spinal Puppet		1x12	2001 Line 6 Cabinet
Line 6 Throttle	STOMPBOXES - MODULATION	1x12	1981 Mesa Boogie Mark IIc+
Line 6 Chemical X	A/DA Flanger	1x12	1961 Vox AC-15
Line 6 Purge	Boss CE-1 Chorus Ensemble	1x15	Supro Thunderbolt S6420
Line 6 Insane	MXR Phase 90	2x2	1996 Fender (Mini-Twin)
Line 6 Octone	Uni-Vibe	2x12	2001 Budda Twinmaster
Line 6 Piezacoustic1 (for acoustic)	Line 6 Lumpy Phase	2x12	1966 Fender Twin Reverb
Line 6 Piezacoustic2 (for solidbody)	Sine Chorus (digital chorus)	2x12	2001 Line 6 Cabinet
	Square Chorus (digital chorus)	2x12	Matchless Chieftain
*Plus models based on...*	Line 6 Expo Flanger	2x12	Roland Jazz Chorus 120
Budda 2001 Twinmaster		2x12	Silvertone Twin Twelve
Fender ' 53 Tweed Deluxe	STOMPBOXES - DELAY	2x12	1967 Vox AC-30
Fender ' 58 Tweed Bassman	Boss DM-2 Delay	4x10	1958 Fender Bassman
Fender ' 61 Tweed Champ	Electro-Harmonix Deluxe Memoryman	4x12	1973 Hiwatt Custom 100 Cabinet
Fender ' 64 Deluxe Reverb	Maestro EP-1 Echoplex	4x12	2001 Line 6 Cabinet
Fender ' 65 Twin Reverb	Maestro EP-3 Echoplex	4x12	' 67 Marshall w/Celestion Greenbacks
Fender ' 96 Mini-Twin	Roland RE-101 Space Echo	4x12	' 68 Marshall w/Celestion Greenbacks
Gibson Explorer	Binson EchoRec	4x12	Marshall Cab w/Celestion G70's
Gretsch 6156	Digital Delay	4x12	' 67 Marshall Cab w/Celestion V30's
Hiwatt ' 73 Custom 100	Reverse Delay	4x12	2001 Mesa Boogie Cabinet
Marshall ' 65 JTM-45	Lo-Rez	4x12	Soldano Cabinet
Marshall ' 68 Super Lead	Line 6 Phaze Eko	A.I.R. II Mic Options
Marshall ' 68 Super Bass	Line 6 Sweep Echo	Shure SM-57
Marshall ' 68 Variac'd Super Ld	Line 6 Bubble Echo	Shure SM-57 Off Axis
Marshall ' 68 Jumpered Super Ld		MD-421
Marshall ' 69 Major	STOMPBOXES - DYNAMICS	MD-421 Off Axis
Marshall ' 87 JCM 800	Boss CS-1 Compression/Sustainer	U-67
Marshall ' 96 JMP-1	Boss CS-1 Treble (treble boost switch)	U-67 Off Axis
Matchless Chieftain	MXR DynaComp	(A.I.R. II only affects the direct out signals)
Matchless DC-30	Line6 Vetta Comp (fixed ratio 2.35:1)	POST EFFECTS - REVERB
Mesa Boogie 2001 Dual Rectifier	Line6 Vetta Juice (fixed threshold -40dB)	Deluxe Spring (blackface Fender Deluxe Reverb)
Mesa Boogie 2001 Triple Rectifier	Auto Swell	Twin Spring (blackface Fender Twin Reverb)
Mesa Boogie Mark IIc+		King Spring (Line 6 original)
Silvertone Twin Twelve	POST EFFECTS - TREMOLO	Small Room (studio reverb chamber)
Soldano SLO-100	Fender Opto	Large Room (studio/nightclub chamber)
Supro ' 60's 6x9 S6616	Vox Bias	Studio 6 (development studio at Line 6)
Supro Thunderbolt		Tile Room (porcelain hall bathroom)
Vox ' 61 AC-15	POST EFFECTS - EQ	Memphis Plate (aka Sun Studios recordings)
Vox ' 67 AC-30 Top Boost	Graphic EQ -	Foil Plate (modeled gold foil plate reverb)
Bogner '02 Ecstasy	(4-Bands @ 80Hz, 200Hz, 800Hz, 3kHz)	Blue Plate (Line 6 original reverb)
Bogner '02 Uberschall	4-Band EQ - (High/Low Shelving EQ +	Bingo Hall (very reflective/medium hall)
ENGL '02 Powerball	two bands of fully parametric EQ)	Concert Hall (concert hall with lovely tail)
		War Memorial (your basic stadium)
POST EFFECTS - MODULATION	POST EFFECTS - PITCH SHIFT	Hanger 18 (really BIG reverb)
A/DA Flanger	Dual Voice Detune/Shift	Propellerverb (dark, fluttery, wooshy reverb)
Boss CE-1 Chorus Ensemble	(pitch +/-12 half steps, 1 octave up/down)	Radioverb (reverb for feelings and emotions)
MXR Phase 90	(detune +/- 50 cents)
Uni-Vibe	POST EFFECTS - DELAY	NOISE GATE - (pre-everything)
Line 6 Lumpy Phase	Boss DM-2 Delay	A downward expander that "gates" noise.
Sine Chorus (digital chorus)	Electro-Harmonix Deluxe Memoryman	POST COMPRESSOR
Square Chorus (digital chorus)	Maestro EP-1 Echoplex	A dual "post" compressor, one for each amp.
Line 6 Expo Flanger	Maestro EP-3 Echoplex	EFFECTS LOOP
Leslie 145	Roland RE-101 Space Echo	A stereo "line-level" loop for rack mount fx.
Vibratone	Binson EchoRec	DOUBLE TRACKER
	Digital Delay	Since the Vetta features the ability to use two totally independent amp models at the same time, the Double Tracker provides you with the ability to "simulate" the effect of two separate guitarists playing back the same part simultaneously (through each separate amp model)...but with the inherent timing, pitch, and dynamic differences that each player would have. The effect can be more than subtle, and definitely helps increase the depth/size of your tone.
Special Notes:	Reverse Delay
The Vetta gives you three re-routable internal STOMPBOXES 1, 2 & 3 which can be assigned to be any of the numerous effects listed here. Any stompbox can feed AMP1, AMP2, or BOTH.	Lo-Rez
	Line 6 Phaze Eko
	Line 6 Sweep Echo
	Line 6 Bubble Echo
	Ping Pong Delay

The Vetta uses the new A.I.R. II for Direct Output processing. This is nothing like the POD A.I.R. (which was more or less a volume control for a few milliseconds of miked-room ambience).

The A.I.R. II on the Vetta is actually three "classic" virtual modeled microphones (see pics) with two settings each.

These "ONLY" affect the direct outputs and have no affect on the signal that is going to the Vetta's speakers...anyone can verify this themselves by playing thru the Vetta Combo and scrolling thru the different virtual mics...you will not hear any tone change coming out the Vetta's speakers...which would make sense, since you typically mike-up a cabinet to record it, so obviously Line6 has already included the virtual-mics for you., which is really cool!

Shure SM-57

Shure SM-57 (Off Axis)

Sennheiser MD-421

Sennheiser MD-421 (Off Axis)

Neumann U67

Neumann U67 (Off Axis)

As far as the assignment of expression pedals, you can use the FBV Longboard's two foot pedals...or use an external midi foot controller that supports two "assignable" expression pedals, (such as the Behringer FBC1010 or Ground Control), any MIDI CC 1 message recieved at Vetta's Midi In port will adjust the PEDAL 1 assignment, and any MIDI CC 2 message will adjust the PEDAL 2 assignment. You are limited in what can be assigned to be controlled:

The LEFT PEDAL can "only" be assigned to: WAH or Pedal 1.

As Pedal 1, you can then route it to one of the following destinations:

Stompbox 1 Mix/Level
Stompbox 2 Mix/Level
Stompbox 3 Mix/Level
Tremolo 1 Depth
Tremolo 2 Depth
Loop Mix
Pitch Shift Mix
Post Mod Mix
Post Delay Mix
Reverb Mix
Post Mod Speed
Post Delay Time

The RIGHT Pedal can "only" be assigned to: Volume or Pedal 2.

As Pedal 2, you can then route it to one of the following destinations:

Stompbox 1 Mix/Level
Stompbox 2 Mix/Level
Stompbox 3 Mix/Level
Tremolo 1 Depth
Tremolo 2 Depth
Loop Mix
Pitch Shift Mix
Post Mod Mix
Post Delay Mix
Reverb Mix
Post Mod Speed
Post Delay Time

The FBV Shortboard Foot Controller can be used with the:

Vetta Combo, Vetta HD, DuoVerb, PODxt, or Flextone III.

SPECIAL NOTE: In order for the FBV Shortboard to work correctly with the Vetta Combo/HD, you must be running Software Version 1.10 (or higher).

The Vetta offers three stompbox positions which can be assigned to "any" of the STOMPBOX EFFECTS listed above. They can all be different, or if you so desire, you can assign each stompbox to be the same effect, such as a having three Tube Screamers, each with different settings. Remember, they can be placed in any particular order, not just 1>2>3, and the positions are saved for each patch you create. For Line 6 programmed sounds, normally stompbox 1 will be a distortion effect, stompbox 2 a modulation effect, and stompbox 3 a delay effect.

The image you see above shows the actual recorded waveforms of the first five factory patches of the Vetta Combo as they have been stepped through using the FBV Foot Controller. The white gap you see between each of the patch waveforms is the amount of time in milliseconds (shown in red) that it takes the Vetta to switch between patches. The times do vary, and what you see printed in red are the actual measured gap times.

The times are all small enough that switching between patches still sounds near-instantaneous.

Please do not let this patch switching gap be of concern to you as far as live performance goes.

The echo/delays and reverbs DO NOT SPILL OVER between patches, they end immediately as you switch to another patch. However, you can create a spillover if you use an EXTERNAL DELAY/REVERB (line level, not stompbox) in the FX Loop, and you program a series of patches in which the FX Loop is turned on. As long as the FX Loop remains turned on, switching between these FX Loop "ON" patches will allow the external fx unit to continue sounding out.

If you are using the FBV Foot Controller to toggle between Amp 1 and Amp 2, be aware that there is a period of time between 40 to 60 milliseconds in which both amps are ON at the EXACT SAME TIME. In other words, a perfectly exact toggle between the amps (in which one amp model instantly ends as the other amp model kicks in) does not occur. Because of this, there is a very unnatural and quite noticeable increase in the overall amp volume simply because the volume of both amps are being added together for the brief moment of the toggle.

*Line 6®, Line 6 Inc., AX2, AxSys, BackTrack, BackTrack+Mic, Bass Floor POD®, Bass POD®, Bass POD® xt, Bass POD® xt Pro, Bass POD® xt Live, Constrictor™, Crunchtone™, Customtone, Duoverb, DL4™, DM4™, Echo Park™, Eight Ball, Filter Pro™, Flextone™, Floorboard, Floor POD®, Floor POD® Plus, FBV Express™, GearBox™, GearBox™ Plug-In, Guitarport™, GuitarPort® RiffTracker™, GuitarPort® xt, FM4™, HD147®, Jamware, JM4 Looper, LowDown, Liqua Flange™, M13, MM4™, MOD Pro, POD®, Pocket POD®, Pocket POD® Express, POD® FARM, POD® Studio, POD® xt, POD®xt Pro, POD® xt Live, POD® X3, POD® X3 Pro, POD® X3 Live, Rifftracker™, Roto Machine™, Space Chorus™, Spider™, Spider-Jam™, Spider-Valve™, ToneCore™, TonePort™, TubeTone, Ubermetal™, GX, UX1, UX2, UX8, Verbzilla™, Vetta™, Variax®, Variax® Acoustic, Variax® Workbench™ and Line 6 logos are trademarks of Line 6,

Inc. RiffWorks, InstantDrummer™, Riffcaster, Rifflink and Sonoma Wire Works™ are trademarks of Sonoma Wire Works™.

Atomic, Atomic Amps, LLC, Atomic Reactor 112, Atomic Reactor 112-50 and Atomic Reactor 212 are trademarks of Atomic Amps.

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